Story

Fate Leads the Willing

Aye, the willing soul Fate leads, but the unwilling drags along.

The last line of Richard M. Gummere's 1925 translation of Moral Letters 107.11. Seneca tells Lucilius that he is putting a hymn of Cleanthes into Latin, after Cicero's example. It is not an original proverb of Seneca's, and it is not a line from his death.

Painting of an older bearded man in red turned toward a younger man beside him.

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The story

Seneca is writing to Lucilius about a hard bit of news, and he turns it into a lesson on following the order of things. Seasons change, storms follow calm, day follows night. Whatever happens, he says, assume it was bound to happen, and do not be willing to rail at Nature. A bad soldier grumbles at his commander.

Then he offers a poem. He tells Lucilius to address Jupiter as the Stoic Cleanthes did, “in those most eloquent lines,” and he says he is allowing himself to render them in Latin, after Cicero. Gummere’s 1925 translation ends the rendering with the line quoted here: the willing soul, Fate leads; the unwilling, it drags.

Seneca does not pretend the thought is his. Gummere’s footnote says the verses are assigned to Cleanthes in Epictetus’s Enchiridion 53, which leaves out this last line, while Augustine, in City of God 5.8, quotes them as Seneca’s. The same six lines have been filed under two names because Seneca said, in the letter, that he was translating.

The picture is Rubens in 1617, a double portrait the file only tentatively calls Seneca and Nero. Letter 107 is not a conversation with Nero, and it is not the forced death of 65. Another page on this site takes the letter about fear, which also is not that death. This one is a borrowed hymn, and the curiosity is who gets the credit: Cleanthes in Epictetus, Seneca in Augustine, and Seneca himself pointing back to Cleanthes.

The artwork

Double portrait called Seneca and Nero · Peter Paul Rubens, 1617

Oil on canvas · The Commons title marks the identification as uncertain

The Wikimedia file dates this canvas to 1617 and titles it as a double portrait of Seneca and Nero, with a question mark on the identification. It shows an older man turned toward a youth. It is a seventeenth-century picture, not a portrait from either lifetime.

Letter 107 is a letter to Lucilius about obeying the course of things. The canvas, if the title is right, belongs to the years when Seneca was still near Nero. It does not illustrate the hymn, and it is not the death Tacitus describes.

Peter Paul Rubens, canvas of 1617 titled on Wikimedia Commons as a double portrait of Seneca and Nero, with the identification marked uncertain. Public-domain painting; reproduction via Wikimedia Commons. Image file. Public domain. The painting is free of known copyright restrictions. A faithful reproduction of a two-dimensional public-domain artwork is treated as public domain in the United States; other countries may restrict reuse of the photograph.

Sources

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