Story

Come and Take Them

Come and take them.

A report, not a surviving dispatch. Plutarch, Sayings of Spartans, "Of Leonidas the Son of Anaxandridas," in the Goodwin revision of 1874. Xerxes writes "Send me thy arms," and Leonidas returns this answer. The Greek phrase later shortened to molon labe is Plutarch's classical Greek, centuries after 480 BCE. Herodotus, who is the near contemporary, does not record this exchange.

Painting of Spartan soldiers gathered in a rocky mountain pass, some armed and some seated.

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The story

In 480 BCE a Persian army came down through Greece. Leonidas, one of the two kings of Sparta, held the narrow pass at Thermopylae with a small force. Herodotus, writing in the same century, tells the battle. He does not tell the story of a letter demanding the Spartan arms.

That story is in Plutarch’s Sayings of Spartans, a collection put together centuries later. In the 1874 Goodwin revision, Xerxes writes again, “Send me thy arms,” and Leonidas returns, “Come and take them.” The same chapter has him tell the men to dine as if they were to sup in another world. Treat both as sayings preserved under his name, not as a transcript of a dispatch.

The line people pair with him about fighting in the shade is a different problem. Plutarch’s collection gives it to Leonidas: someone says the Persian arrows will darken the sun, and he answers that it will be pleasant to fight in the shade. Herodotus 7.226 gives that speech to another Spartan, Dieneces. Godley’s 1920 translation has Dieneces call it good news. If the Medes hid the sun, they could fight in the shade instead of in the sun. Herodotus is the earlier witness, and he does not give the shade line to the king.

David’s Leonidas at Thermopylae (1814) paints the men in the pass, which is the battle Herodotus describes. The sentence on this page is the later reported answer to a demand for the weapons. The curiosity is the shade line sitting on the wrong man in the later collection, while the near-contemporary history pins it on Dieneces.

The artwork

Leonidas at Thermopylae · Jacques-Louis David, 1814

Oil on canvas · History painting of the last stand

Jacques-Louis David finished Leonidas at Thermopylae in 1814. Spartan soldiers wait in a rocky pass. It is a nineteenth-century history painting of the battle, not an illustration of a letter, and not a portrait from 480 BCE.

Plutarch's anecdote is a written demand for the weapons and a two-word refusal. David's canvas is the army that stayed. The two meet in the same campaign and they are not the same moment.

Jacques-Louis David, Leonidas at Thermopylae, 1814. Oil on canvas. Public-domain painting; reproduction via Wikimedia Commons, from the Web Gallery of Art. Image file. Public domain. The painting is free of known copyright restrictions. A faithful reproduction of a two-dimensional public-domain artwork is treated as public domain in the United States; other countries may restrict reuse of the photograph.

Sources

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